3/13/2008

Guest Post: A Farewell to 'Zines

NBCC member Tim W. Brown offers this wrapup of 'zine culture, which by the early twenty-first century has given way to the blogosphere.

The immediate predecessors to zines were punk rock fanzines that first appeared in the 1970s. During the zine heyday, roughly 1982 to 1996, thousands of zine titles were published, disseminating information to a host of subcultures. I staked out my little corner of the zine world as publisher of a poetry zine.

Several nonfiction books eventually were published about the scene, notably "’Zine" by Pagan Kennedy and "The Book of Zines" by Chip Rowe. I was aware of exactly one novel containing a major character who published a zine, "Flying Saucers Over Hennepin" by Peter Gelman, but I knew of none that made zines the central topic of a novel, as entwined in a character’s existence as zines were in real-life zinesters’ lives.

To fill this hole I wrote "Walking Man," a biography of a fictional character, Brian Walker, who rises from humble origins to become the most famous zine publisher in America. This format allowed me to combine novelistic elements with those of nonfiction, particularly quotes from Brian’s zine “Walking Man,” excerpts from reviewers’ works, and statements from ancillary characters who went on the record for his “biographer.”

NBCC members may be interested to know that a critical establishment grew up around zines. Factsheet 5 and a few lesser known review zines praised or condemned how zines lived up to the DIY (do-it-yourself) ideal. Much like today’s blog culture--one of whose antecedents is the zine scene--lively and sometimes rancorous debate occurred.

Indeed, the Internet has altogether replaced zines as a forum where young people may vent about (or flaunt) their alienation from mainstream society. Once a source of tremendous energy, zines are now ancient history, much like big hair and dollar gas.
--Tim Brown

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22 Comments:

Blogger David said...

While it's true I haven't seen a 'zine behind glass in a record or comic book store for at least 7 years, publications like McSweeney's Quarterly Concern seem to have evolved the 'zine into a boutique item. As I watch university libraries expanding their collections of other sorts of paper ephemera that were once considered insignificant, maybe it's time to take 'zines as cultural artifacts as seriously as political cartoons and comic books.

9:37 AM  
Blogger Jason Erik Lundberg said...

Many zines may have gone the way of blogs, but there's actually a thriving zine scene in speculative fiction right now: Lady Churchill's Rosebud Wristlet, Electric Velocipede, Sybil's Garage, Say..., Flytrap, Rabid Transit, Talebones. All publishing short fiction on the edges, the weird stuff, the daring stuff, challenging the very notion of narrative.

10:47 AM  
Anonymous Michael Gorra said...

It would be interesting to trace the connections between that zine subculture and the very active world of science fiction fanzines in the previous decades--going back to the fifties and even before. Especially those less concerned with sf itself, and more engaged by the fanzine world. There also seem to me a lot of connections, in ethos if not technology, between the blogosphere and the amateur press associations (apas) that flourished in 70s LA and Minneapolis, with their massive weekly mimeographed publications in which the members commented on what they'd all said the week before.

11:37 AM  
Anonymous Cooper Graham said...

This is silly. Zines haven't disappeared. They've just gone online where they're very very cheap to publish.

12:54 PM  
Anonymous Vivek Sahota said...

Having had the pleasure of reading "Walking Man," I believe that the 'Zine scene is a fascinating era of intellectual experimentation and expression -- the internet may have replaced the end-product, but those are not 'Zines because of the dedication and effort that putting out a true 'Zine required (writing/copying/distributing/word-of-mouth acclaim).

For anyone who has the opportunity to pick up a copy of Mr. Brown's book, I would strongly suggest it. It's a fabulously well-written fictional biography providing a revealing glimpse into a cloistered world.

2:43 PM  
Anonymous teri said...

while i agree that the zine hey-day has died down, it's worth noting that there are still plenty of thriving outlets to get zines:

Learning to Leave a Paper Trail distro - http://papertraildistro.com/

Microcosm Publishing -
http://www.microcosmpublishing.com/

My My - http://mymy.us/

4:23 PM  
Blogger Jenna said...

Radio Isn't Dead, and Neither Are Zines

What prompted this post? Why go out of your way to dump on zines? Is it to drum up attention for your new book about "the most famous zine publisher in America," a description that I hope you mean ironically, recognizing that fame and zinedom are pretty antithetical, at least in the movement as I know it.

Sorry to respond immediately with defensiveness, but I'm really bored with the "internet killed the zines" discussion. So bored that three years ago I wrote this article for Counterpoise, a library review journal, and subsequently published it online http://www.barnard.edu/library/zines/zinesnotblogs.htm.

Just because you may not be a part of the current zine scene doesn't mean that it doesn't exist. Blogs have become an outlet for many people who ten or fifteen years ago might have created zines instead, but not for all of them. Print zines have retained their value for many DIYers, many isolated teenage punks, many radical homeschooling mamas, and you may be surprised to hear, for many librarians. In fact, just this month Library Journal launched a quarterly zine reviews column. It ain't no Factsheet 5, but surely it is a signal that there are still zines out there to review.

If anything, I believe the internet has helped facilitate zine culture and publishing, with online ordering and reviews. Outside of LiveJournal, I can't think of a blogging service that comes close to fostering the community that surrounds zine publishing, not to mention allowing the privacy and control that print distribution afford.

Personally, I both blog and zine, each project with a different purpose. To say that zines are dead is both ignorant and insulting.

But to back off a bit from the perhaps aggressive tone of this comment, I suspect the zine world that you were a part of, where fame was desired, was different from the zine world that I participate in, write about, and preserve at my library. Perhaps the difference is your having published a poetry zine. When I first got into zines, in '92 or so, it was with the literary zines, too. But authors like Pagan Kennedy and Chip Rowe, they documented participation in a slightly different scene, one driven by the selfless though in your face politics and tactics of punk rock anarchism. That had nothing to do with fame or promoting book tours.

And by the way, this is largely a youth movement. If you want to see books where zines play a prominent role, do a little research in the YA stacks, and you'll find them. I don't know anything about you or your book, so if I misread or misunderstood your post, please forgive me. But if I didn't...ugh!

PS Right on, Teri. We've got some of your zines at Barnard!

8:59 PM  
Anonymous Ron Slate said...

Blogs may be grabbing screen-time from zines, but most blogs don't operate like equivalent replacements of zines. I like some that do (thoughtful reviewers and commentators), and some that don't (are chattier). A few churlish bloggers have told me my site is too much like a zine, a separate category. But the blogs are now entering the mainstream, and the venters and flaunters of alienation have always been there, cranking away in other forms and forums.

9:49 AM  
Anonymous Chronic Pain Hero said...

Yeah, there seems to be a disappeance of zines because of the swell of online activities i.e. blogging but if one really wants to hold paper in their hands and the irony here is, we can use Google or some other search engine to find out where to get an "offline" zine in real world. Crazy as it all is afterall.

5:15 PM  
Blogger Candy and Cigarettes said...

I disagree that zines are dead. My blog is merely an extension of my printed zine of the same name. And I think that works very well. Although, admittedly, I am just getting started.

11:45 PM  
Anonymous Karen said...

Your obituary for print zines is premature ! As a Librarian at NYPL I work on building the zine collection and I continue to be amazed and delighted every day by the quality and quanity of what is being produced. Yes - the internet has caused major changes but as others have said - ezines, blogs etc. serve a different purpose. People still want to create something out of paper & glue... something they can hold, touch, share, trade. This is the golden age of zines, not the opposite.

1:25 PM  
Anonymous Milo said...

As yet another zine archivist chiming in, I don't think you could be further off the mark. Not a week goes by when we don't get a new submission to our archive. 9 times out of 10 the document in question (the zine, usually, but sometimes flyers, mini-comics or other ephemera) has been produced within the past 12 months.

There are several reasons for this, too. * As much as they were in the 1980's and 1990's, zines are still portable.
* They make for good off-line reading when you're on a bus or train.
* They tend to be ad-free and inexpensive to produce and consume.
* They can be passed from hand-to-hand
* While they might get lost or lent and never returned, in general zines don't experience crashes, require software upgrades, and *DO* get preserved both in libraries and archives, but also because people duplicate them because the content has value.

As long as the means to production remains, people will continue to produce media in a variety of formats, zines being one of them.

3:20 PM  
Anonymous Stephanie K. said...

Not everyone has access to a computer or wants to read blogs. Zines are hardly dead. http://www.undergroundpress.org/

3:27 PM  
Blogger Kim Riot said...

I think this post is a real indicator of how "out of touch" you really are with indie print based culture. As as zinester since 1989 and now a zine teacher, you'd be amazed how many people say "I'm going to pick that up again" or "I want to create one!". It's not just out of novelty and it goes beyond fiction writing, poetry chapbooks, and literary prose. Zines are hard evidence of radical protest ready to challenge conventionalism and without that the only thing that is dead is free expression.

3:33 PM  
Blogger Sonya said...

I want to reiterate the statement that not only do some people not want to participate in digital means to publish, some folks don't have the resources to, and to say both of these groups will never go away.

There are plenty of people too poor to have access to a the Internet, and plenty of people who enjoy the non-digital ways you can make a zine and publish absolutely anonymously.

Three cheers to a pocket-size zine for reading on the train!

9:55 AM  
Blogger Amanda said...

I think the flourishing (and current) zine collections at many public and academic libraries and organizations prove that zines are still a valid, accessible, and exciting medium of independent expression. I work with students who create zines at the university level, and even out in the suburbs of Seattle, there are current zinesters and students who avidly read music zines, etc. Students who have never heard of zines get really excited by the format and unique (often weird) content. As other comments have show, we're far from bidding zines "farewell".

1:45 PM  
Anonymous Katie said...

I wonder what you're basing this theory on. The fact that there are lots of blogs now? Print zines haven't disappeared *or* been absorbed into the online culture. If anything I'd go so far as to say they're more popular, and have a wider scope, than they did 10 years ago. Have a look at these zine distributors to see how vibrant this culture still is, and has been all along: Microcosm http://www.microcosmpublishing.com/, Fall of Autumn http://www.fallofautumn.com/, Sweet Candy http://www.eyecandyzine.com/, and look under "books and zines" on etsy.com, the biggest hottest craft site on the Internet.

5:44 PM  
Anonymous Cantara Christopher said...

Sorry to checking in so late on this posting, Tim! I've been busy answering emailed questions for Dave Herrle of SubtleTea's comprehensive interview of me. Coincidentally, one of the subjects discussed was the zine/DIY movement which I was part of in the early 90s, creating, writing and distributing a couple of short-lived zines and also running a couple of zine fairs in the Mission District of San Francisco.

While it's true that many zine publishers have migrated to the web, there are still others who have chosen to continue their zines in print form, either exclusively or in tandem with a web presence. I think rather than the "death of zines", there's simply been a dramatic tapering off in general of activity in the DIY (Do-It-Yourself) movement, mostly because of the rise of other technologies such as the internet and digital formatting. It's problematic to consider online zines DIY, as the DIY movement, while not necessarily being profit-oriented, is still and has always been product-oriented.

Sidebar: Because of the misapprehensions this can cause, there's also been one other little dwelt-on factor which has helped to "kill" zines: the mainstream attention given to Dave Eggers and his seemingly DIY product. The problem with that is that Eggers was never a part of the DIY world.

So zines have gone back underground, but they haven't completely disappeared. It's hard to tell if institutional, "respectable" attention (exemplified by the collections at Barnard, in Olympia, Portland, Denver, et al) has helped or hindered the popularity of current zine-ing. I think people are always going to create and trade zines just because they enjoy it.

Factsheet Five is gone, Doug Holland's Zine World is gone and Doug himself has disappeared into the quotidian. (Although Broken Pencil up in Canada is still going strong.) Without these comprehensive review journals it's difficult to get the full scope of today's zine scene, except by attending one of the handful of exclusively-zine fairs in North America. The ones in Boston, DC and Toronto are the largest and best known. Other events, like small press fairs and anarchist/alternative fairs have their own fair share of zine presence. After a couple of years attending such fairs, this is how it appears to me that zines have dispersed:

- Literary/cultural/political/feminist zines: Small press/alternative/anarchist fairs, (Many of these also go/have gone the non-profit route.)
- Poetry chapbooks: Traditional small and micro press literary distribution, including direct sales at readings, events, etc. (The venerable Small Press Distribution in Berkeley does accept zinelike items.)
- Science fiction/fantasy/slipstream: SF/fantasy conventions (eg Lady Churchill's Rosebud Wristlet).
- Music fanzines: Concerts, gigs, and other musical events (eg MaximumRockNRoll).
- Comics (or "comix"): This seems to be the one type of zine now dominating small press and zine fairs.
- Perzines: Blogs.

Store presence for zines was dealt a near-death blow when Tower Records went out of business, but online distro companies have rushed to fill the void. Most of them like mushrooms spring up and quickly die; a Google search should turn up a few companies still active. There are also still quite a few brick-and-mortar (mostly anarchist or leftist) infoshops still operating around the world.

By the way, the 13th annual San Francisco Bay Area Anarchist Book Fair is coming up this Saturday and Sunday (22-23 March) at the County Fair Building in Golden Gate Park (9th and Lincoln Way). Admission is free. For more info check out http://sfbookfair.wordpress.com.

Also, my interview by Dave Herrle can be found at Dave's online literary zine starting 1 April [http://www.subtletea.com]. Topics: Zine-ing; the future of small presses; my relationship with poet-author-director Stephen Gyllenhaal (yes, Jake and Maggie's father); my brief career in porn.

As for my own current literary doings, I own and publish Cantaraville, a twice-yearly, 200+ page, PDF-exclusive journal. [http://www.cantaraville.com] As Cantaraville exists in PDF - each copy is an accountable "unit" - rather than as an online zine, we consider it a DIY product. Free 60-70 page samplers of each issue are available at our website. Cantaraville Two, incidentally, carries a chapter from Tim's novel Walking Man. I think its readers, whether they know anything about the zine world or not - will enjoy Tim's right-on satire and deadpan humor.

7:22 PM  
Anonymous Anonymous said...

This is just the fire I needed to get off my butt & publish the next issue of my zine. Thanks for the unintended instigation.

12:48 AM  
Blogger Rory said...

I don't think zines are dead, but I think they remain a Generation X medium at a time when Generation X is entering middle age and doing that kind of thing a bit less.

9:19 AM  
OpenID superblue said...

this eulogy couldn't be more premature. while zines may not be as prevalent as they were in the late 80s/early 90s, there are plenty of us out there still heavily involved in the zine scene.

better still, there are some fabulous zine distros out there run by long-time zinesters like ciara xyerra (http://www.papertraildistro.com/), luran barry (http://www.strangerdangerdistro.com/), and taryn hipp (http://mymy.us/). just to name a few.

i won't even attempt to enumerate all the great zines that are currently out there, but suffice to say, anyone who writes off zines as "over" is seriously out of touch with independently produced and distributed media. blogs are not zines and zines are not blogs.

4:43 PM  
Blogger aMy said...

its true, zines are still very much alive.. and not just in the USA:

https://id408.van.ca.siteprotect.com/brokenpencil/canzine/index2.php
http://anchor.revolt.org/
http://sitekreator.com/zinelibrary/index.html

12:11 AM  

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